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The Outer Worlds is an impressive spiritual successor to Obsidian’s work on Fallout: New Vegas, mixing familiar design elements and the same zany attitude with an imaginative new universe and even deeper role-playing. While you can breeze through the main questline a bit quicker than in similar games, this is the sort of RPG experience you’ll want to play through multiple times, with multiple builds, to see all the systems and narrative paths on offer.

We Got This Covered (5/5):

In all, The Outer Worlds is an unmitigated success. Naturally, recapturing the magic that made New Vegas such a beloved classic was never going to be an easy task, but the Californian studio has surprisingly pulled it off with aplomb once again. War never changes? I politely have to disagree. When Obsidian is at the helm, changes happen for the better, and that couldn’t make me happier.

PlayStation LifeStyle (10/10):

The combination of The Outer Worlds‘ stunning visuals and immersive story telling have positioned the game to be an amazing start to a beloved franchise. We’ve only just scratched the surface with Halcyon’s tale, and I am certain Obsidian has begun planting seeds for its future.

Stevivor (9.5/10):

Obsidian has spent a considerable amount of time and effort in world-building, and you’d be doing the game (and yourself) and disservice by not exploring its planets and myriad side-quests. On top of this fully fleshed-out world, jam-packed with wonderful companions, quest-givers and NPCs in general is a sense of humour that truly shines. While it’s borderline juvenile, it manages to stay on the better side of judgment — something the likes of Borderlands has never been able to do.

DualShockers (9.5/10):

While saying something like “The Outer Worlds is out of this world” may be low-hanging fruit for a writer, it isn’t a false statement. This game rewards player choice and experimentation on a level I have not seen since The Legend of Zelda: Breath of the Wild, and it manages to do so in both gameplay and story. With the best writing of any game thus far in 2019, any fan of RPGs needs to play The Outer Worlds. And no, The Board totally isn’t making me write th-

TechRaptor (9.5/10):

In this post Fallout 76 landscape, The Outer Worlds stands as a shining beacon for what a well-made first-person RPG looks like. With the quirky dialogue, enjoyable NPCs, and engaging combat, Obsidian delivers one of the most memorable role-playing experiences of the year.

Game Informer (9.25/10):

Even if the larger beats don’t always land, The Outer Worlds shines with a constant stream of small, bright moments. An amusing interaction with a clueless guard. A sugary corporate jingle. A brutal sneak attack. A solution to a problem you are sure won’t work, but it does. The team at Obsidian excels at encouraging creative experimentation within its responsive and absurd setting, ensuring that every visit to Halcyon is full of delightful surprises.

Xbox Achievements (92/100):

It’s genuinely hard to fault The Outer Worlds, if I’m being honest. Yes, the load times are pretty long and the map can sometimes take an age to load, but these are minor complaints in what is an otherwise epic jaunt across a unique galaxy. There’s no doubt about it in my mind: The Outer Worlds is not just one of the year’s best action-RPGs, but one of the generation’s best. It’s deep, it’s dark, it’s dirty and dastardly, and best of all, The Outer Worlds is whatever you want it to be, whether that’s a warlord simulator or hero fantasy, or something in-between.

COGconnected (9.1/10):

The Outer Worlds is a first-person shooter like no other. Offering an open world sandbox in which the entire game is your play-thing, I was easily sucked in and didn’t want to leave. Obsidian has stated it can be completed between 15-40 hours and I can’t imagine completing it so quickly with so many things to do. With full character development, a wonderful companion system, and a spirit all its own, The Outer Worlds is everything I had hoped it would be and more. From the excellent writing to the beautiful environments, each new world is vast enough to feel expansive without being desolate and wasted space. The gameplay and combat is fantastic and handles great, with the only downside being its occasional dip in frame rate or issues loading textures. The Outer Worlds fulfills the promise every other RPG makes of putting you in control and I can’t wait to try the game over and over again with different styles and tactics.

GameSpot (9/10):

I finished The Outer Worlds wanting more, eager to jump back into the world to see extra things. It’s not a short game, but it’s one packed with such a steady stream of wonderful characters to meet, interesting places to explore, and meaningful, multi-layered quests to solve, that it didn’t feel like there was any room to get tired of it. I wanted to rewind the clock and do everything in a completely different way. The Outer Worlds is consistently compelling throughout, and it’s a superb example of how to promote traditional RPG sensibilities in a sharp, modern experience.

Windows Central (4.5/5):

The Outer Worlds is a tremendous RPG that feels like the culmination of Obsidian’s efforts with similar franchises over the years. As a fan of classic Bioware and Bethesda RPGs, The Outer Worlds not only scratches the itch, but exceeds the legacy of the titles it draws inspiration from in some ways.

Screen Rant (4.5/5):

As more and more game companies pivot towards an always online live service model for their products, having access to such a complete “AAA” title with no additional microtransactions or purchasable cosmetic content is almost unheard of. The Outer Worlds, while still reminiscent of the games which came before it, is both a testament to Obsidian Entertainment’s past quality and their ability to take what works best from other developer’s titles and weave them into their own format in a way which feels at once unique and yet still comfortably familiar. For anyone who felt let down by Bethesda’s more recent Fallout entries, anyone who misses smashing security bots in BioShock, or anyone who wants to bond with a companion the same way they bonded with Garrus and Mordin in Mass Effect, Obsidian’s science-fiction masterpiece The Outer Worlds is waiting.

Destructoid (9/10):

Despite some nominal issues that might be easier for some to hand-wave than others, Obsidian has out-Fallouted recent Fallout efforts. The Outer Worlds is more limited from a size standpoint compared to a lot of other open world adventures, but it makes up for it in charm and a succinct vision without much bloat.

Gamer Guides (4.5/5):

The Outer Worlds isn’t the longest game, it’s not a massive open-world adventure, but you’ll still find sixty or so quests, multiple factions and interesting characters split across nine planets, moons, ships and space stations. Great writing, fetching art design, a tremendous amount of player choice and excellent world building elevate the game above its flaws, and perhaps most surprisingly in this day and age, The Outer Worlds is a devotedly single-player experience, unburdened whatsoever by the constant scourge of superfluous online modes, DLC, microtransactions, special editions and pre-order bonuses. If simplifies the excesses of many role-playing games without sacrificing the complexity and features you want and expect, allowing you to focus on what is undoubtedly one of the best games of 2019 and perhaps the best game Obsidian has developed to date.

Noisy Pixel (9/10):

Everything the player does lead up to an epic conclusion, but the little battles along the way leave a lasting impact as well. This game is more than just a beautiful space opera; it’s a real RPG adventure that has finally brought the genre to a new height. While I begin my second treck through this new world, I’ll never forget the memories and events of my first adventure. It’s that feeling of discovery and excitement that The Outer Worlds provides and one that I have been looking for for a long time.

Metro GameCentral (9/10):

Although every bit as deep and complex as Bethesda games like Skyrim and Fallout, it has a far greater level of polish, with no bugs or crashes evident during a lengthy playthrough. The graphics may be a bit lo-fi, but they still manage to conjure a sense of planetary-scale grandeur. Given the astonishing intricacy of the systems involved and the diversity of different characters and their potential interactions with the plot, it’s a remarkable achievement. Your actions also feel unusually consequential, the things you say and those you decide to spare or attack and kill, all making a lasting difference. It adds up to an experience that’s memorable and continually surprising. Each planet has its own look and feel – one with rings, one overlooked by a gas giant, another by an explorable moon. And there’s artistry at work, not only in the colourful yet deadly fauna, and beauty of its worlds and rusting space stations, but also in the way the plot is woven in with your character and those you recruit to your crew. Every aspect has been thought through and refined, creating what is one of the most enthralling role-playing games of recent years.

GameSpace (9/10):

I think anybody that enjoyed playing the Fallout games, as well as anyone that has enjoyed the Mass Effect titles, would unequivocally enjoy their time playing The Outer Worlds. I had so much fun exploring every nook and cranny, scouring out-of-the-way locations for loot, taking everything that wasn’t nailed down, and immersing myself in the otherworldy locations around Halcyon.

IGN (8.5/10):

With The Outer Worlds, Obsidian has found its own path in the space between Bethesda and BioWare, and it’s a great one. And considering that new RPGs from either of those influential developers are still years away, this game couldn’t have been timed any better. It’s not as explorable as one big open world but it still packs in a large portion of flexible quests and conflicts within its series of smaller ones. And the combat, character, and companion systems have enough new spins on existing ideas to make it feel like an homage with its own personality rather than a copy.

God is a Geek (8.5/10):

Ultimately, if you’ve played a Fallout game before, you won’t be surprised by many of The Outer Worlds’ systems and features, but each familiar idea is tweaked just enough to feel different if not unique. A wealth of side quests and places to explore ensure that you can never quite predict what’s over the next horizon, and some surprisingly intelligent and thoughtful writing shoots a bolt of maturity through the satirical atmosphere that provides levity and occasional pause for thought. The retro-futuristic, space western style may be nothing new in 2019, but The Outer Worlds approaches it with such undeniable charisma that you can’t help but be drawn into its colourful, diverse universe. And what’s more, it’s so confidently written and lovingly made that you’ll almost certainly want to go back for another adventure when you’re done.

Press Start Australia (8.5/10):

The Outer Worlds is the kind of inspired take on a genre that could only come from a team as passionate and talented as Obsidian. It’s not perfect, but it’s creative, succinct, compelling and funny in all the right ways. I sincerely hope that this signals the beginning of a new, ongoing franchise because the people and stories of the Halcyon Colony will stick with me for a long time to come.

VGC (4/5):

The Outer Worlds’s real challenge is getting over what it isn’t, to enjoy what it is. It’s a game that only reveals much of its cleverness over time: both as events snowball, and as you discover the potential spread of multiple playthroughs. To discover those brains you have to look past limitations and accept this isn’t Galactic Fallout – you have to wait for Bethesda’s Starfield for that – and appreciate that this is a small slice of space with deep consequences. Manage that, and frosty first impressions thaw faster than a ship full of human popsicles.

TheSixthAxis (8/10):

The Outer Worlds is the game that fans have wanted Obsidian Entertainment to make for the better part of a decade. The story is the main attraction here, with Obsidian’s witty writing coming to the fore in an interesting and funny interstellar setting. If that’s what you look for in your RPGs, The Outer Worlds will not disappoint.

Twinfinite (4/5):

While I have certain issues with the variety in the game’s design, its story and narrative were consistently engrossing. I’d be remiss to not say I was hoping the Outer Worlds might be more than it is, but I still really enjoyed what’s there.

As a more compact Fallout-like experience The Outer Worlds really works, and I’m already hoping that we’ll get to return to the Halcyon Colony again someday.

GamesRadar (4/5):

Those expecting a straight-up spiritual successor to Fallout: New Vegas might be surprised by Obsidian’s more contained and old-fashioned approach to science fiction, but stick with this unashamedly talkative tragic comedy, and you’ll discover one of the smartest games of the year.

USgamer (4/5):

In an alternate reality where modern Fallout retained the the focus on choice and role-playing, The Outer Worlds would be the result. Obsidian Entertainment delivers this small window into that alternate reality, a game that prizes picking the right skills to tackle weird and wild situations. The Outer Worlds shines in the writing, but the combat doesn’t equally rise to the occasion. Likewise, the planets you visit could use a few more quests or interesting spots to explore. The Outer Worlds is still a fun romp though, something that will hopefully build to something bigger in the future.

Wccftech (7.8/10):

The Outer Worlds is pretty much exactly what you’d expect from Obsidian. The first-person action RPG features a great setting, fantastic writing and remarkable, complex characters to meet. The moment-to-moment gameplay isn’t as exciting, though, failing to measure up with the best in the genre. Still, there’s plenty to like here as long as you know what you’re getting into, not to mention the potential for a sequel to be much better, particularly if the developers had a higher budget to work with.

GamingTrend (65/100):

For better or worse, The Outer Worlds is a perfectly middle-of-the-road open-world RPG. It doesn’t take any big risks, but that also keeps it from falling on its face. Despite some great writing, the game doesn’t have much to say about the corporate dystopia it establishes, ultimately playing it too safe to justify the premise. Obsidian’s expertise with the genre makes The Outer Worlds a competent RPG, if not an especially interesting one.